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Fur: An Imaginary Portrait of Diane Arbus
- In theaters Nov. 17th, 2006
- Rated R for graphic nudity, some sexuality and
language
- Run Time : ? Min
- Official
Website
- 4.5 out of 5
Don't forget to check out Jennifer's Netflix
pick
of
the week.
Review by Jennifer Pflughaupt
“Beauty and the Beast” has been a fable told for
decades and when “Fur: An Imaginary Portrait of
Diane Arbus” was made into a film, the story came to
life in the most unusual and resplendent way.
Excellence is nothing less than expected when you
see Nicole Kidman’s name in twinkling lights on the
billboard for a movie; but, somehow, excellence
seems to be an understatement when it comes to
the new flick “Fur”.
Diane Arbus (Kidman) is living the picture perfect life
in the 1950’s. She has a successful marriage, two
daughters, and a profession in the family fur business
as her husband’s assistant. But, nevertheless, there
is something tugging at her heartstrings and longing
to break free from the so-called “good life”. On one
of the most important days of her husband’s
photography career, a kink develops when a new
neighbor moves in upstairs on the same day. Diane
catches a glimpse of the unexpected, masked
disrupter and immediately her intrigue is aroused. As
her husband forages to make Diane feel comfortable
in her own skin, he encourages her to begin taking
portraits with the camera he gave her some years
prior.
Always drawn to the bizarre and peculiar, she
reaches out to the mysterious neighbor to be the
subject of her new found hobby. Her neighbor, Lionel
(Robert Downey, Jr.), is the catalyst to her au
courant quest and flips her world into the grandiose
life she endlessly desired and adored, but was always
sheltered and shunned away from.
Unfamiliar with Arbus or her work, I began watching
this film and was instantly caught off guard and a bit
nervous. I am not a big proponent for nudity in film in
any form or fashion, so when I saw a naked, elderly
man mowing his lawn in the opening scene, I was
reeling. I continued watching, wincing for about the
first 10 minutes because everyone was nude. I soon
came to the revelation that this shouldn’t be so
surprising considering that Nicole is the main
character in the film. (90% of the films I could think
of with her in them, there was some sort of nudity
and/or sex scene.) Then, 45 minutes later (give or
take a few), I came to another revelation.
This film; nudity, sex and all, is absolutely exquisite.
The story is exactly how it is titled, "an imaginary
portrait of Diane Arbus”. Real person, imaginary
story. I loved every second of this, no matter how
uncomfortable or weird it got. This story is an
honest examination of the human heart and how
beauty should be viewed. The photography is so
telling that the audience could watch the film with no
dialogue whatsoever, and you will feel everything
that the character does. I believe that the
direction and photography in this film was so pure
and immaculate that Steven Shainberg should be
nominated for an Academy Award. As usual Nicole
gives a flawless performance and it is her bravest
role yet. A familiar, yet rarely seen face in film these
days was surprisingly my favorite person in “Fur”.
Robert Downey, Jr. adds a refreshing grace to the
screen and was a pleasure to watch throughout the
film. I give “Fur” 4½ stars out of 5.
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Jennifer is a freelance film critic with an overloaded
life. She has a rock star husband, a 2 year old
daughter, a military career in the U.S. Air Force
Reserves, and she is also a full time student at UNT
working towards getting her degree in kicking butt
and
taking names. Some of her favorite films are “Heart
of the Game”, “The Lords of Dogtown”, “American
History X”, “The Boondock Saints”, “Miss
Congeniality”, “The United States of Leland” , “Return
to Me” and “Thank You for Smoking”. You can check
out her personal information, plus read her writings
and
reviews on Myspace .
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