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The Other Boleyn Girl
In theaters February 29th 2008
mature thematic elements, sexual content and some
violent images
Run Time: 115
Matt's rating - 3.75 out of 5
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Review by Matt Mungle
Everything I know of history I learned from the movies.
Sad as that is, it is in many ways true. Movies based
on history cause me to dig deeper, find the missing
pieces and learn how they all fit together to form the
picture of the past. The new film The Other Boleyn Girl
tells the story of the famous Anne Boleyn and the
almost non existent Mary Boleyn. Based on the book
by the same name the film gives an account of what
Mary's life may very well have consisted of while it
shows the tragic story of Anne that we know so well.
Though the world may never truly know what
happened between the two sisters, this film creates
wonderful emotion and revisits a time period when
women were possessions and men gave all to lay
claim.
Henry Tudor (Eric Bana) is the King of England. His
wife, the queen, is unable to give him a male heir.
This situation causes a friend of the King to set up a
meeting with Anne Boleyn (Natalie Portman). His
hope is that Anne will find favor with the king, thus
solidifying the family's wealth and stature. When the
King finds Anne to be a little too head strong his eyes
fall upon the younger sister Mary (Scarlett Johansson).
In comparison to Anne she is quiet, appealing, and
married. The King is so enamored with Mary that he
invites her entire family to live with him at court. It is
here that the battle between sisters for the affection of
the King begins and all of England changes forever.
I thought the casting was perfect. Portman and
Johansson have a sisterly quality that was believable
and played out well in the film. The essence of their
nature helped to solidify their characters and I found
myself drawn to each of them for different reasons. I
have always admired Johansson's ability to adapt to a
role. She can pull off the young blonde goofball in one
movie and then transform into a deep, emotional
woman in the next. But Portman truly surprised me as
she made Anne this smart, devious, headstrong
woman who was ruthless in her desires and
ambitions. As you see her make the decisions she
does you feel for her on one level while despising her
motives. You know the end result from history and feel
powerless to stop her. This understanding of the end
heightens the building tension and adds to the
emotion.
The film looked good too which helped. The
costumes, especially those of King Henry, had that
royal layering that caused him to walk and move with
the swagger of a man in charge of a nation. It added a
stature to him that made him larger than life. It was
interesting to see a woman the size of Anne bring a
King to his knees and rock an entire nation. It showed
the power that women have. I found the contrast to
Queen Elizabeth fascinating. She was able to stave off
her desire for men in order to bring a nation through
hard times. This in comparison to her father King
Henry, whose inability to control his lust, brought a
country to near ruin. Going back to the history lesson it
was interesting to me to see Elizabeth's lineage. It
made her role in history become even that much more
alive.
The Other Boleyn Girl is rated PG-13 for mature
thematic elements, sexual content and some violent
images. It is not vulgar or crude in any way and
actually says a lot about marriage, fidelity and the
problems unfaithfulness can bring. It is also a strong
character witness to the power of women, both in
doing what is right and the result of following personal
desires. The film is a little slower and dramatic than
the trailer may show so don't expect every moment to
hold intrigue. But it tells the story wonderfully and
allows the actors to move and create. Well acted.
Beautifully crafted. I give it 3.75 out of 5 heads on a
stick. A heart stirring look at a family torn apart by
power.
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Matt and Cindy are members of the North Texas
Film
Critics Association (NTFCA). For additional
reviews
and interview clips visit the website.
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Mungleshow Productions
Matt Mungle
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